The progress on the flower basket pillowcase with a blue ribbon has been gradual. In my last post about this guy, we had just finished with the majority of the satin stitching on the blossoms. The basket line work and the blue ribbon were also complete. Beginning with the right side and working to the left, the vines and leaves had only just begun.
Satin Stitch
You can see up close, how the satin stitching is beginning to work together. If you have problems with your hand satin stitching check this site out. It is kind of exciting to see how the satin stitch works, isn’t it? Sometimes, I haven’t done a stitch for a while and I get lost. When that happens, I just look it up on the world-wide-web. It is amazing how many high-quality little lessons are available to learn better techniques.
Details
Progress is made on this as more detailed work gets done. Gradually, it becomes easier to see flowers as they come to life. The Flower stamens, then outlining begins on the flower petals. I am actually using some really different outlines to see what it would look like. For example, see the maroon blossoms outlined with pale yellow. Hmmm.
In all honesty, there are so many shapes in this pattern that it is a little confusing at times. Am I stitching on a leaf or a vine?
Now, you can see that as more and more of the objects are filled with color it then gets easier to differentiate between a leaf and a vine. 
My plan of attack from here will be to complete the work on outlining and details. Little touches here and there will get it to look exactly the way I want it to. Zing! a pillow full of love, to lay your head on and sleep.
Embroidering a new pillow case in the evenings. It is a “Flower Basket” pattern from one of my many iron-on patterns purchased over the years from (
Really, I don’t know what kind of flower is portrayed in this design. Not taking the time to research it, I am using any color that I feel like for the flowers. If you do know what kind of flower this is, please let me know. In the flower petals, there will be lots and lots of satin stitches happening.
Now, you can see some of the gold flowers have the
I am using all kinds of different greens on the leaves and vines and a good mixture of reds, yellows, and pinks on all the flowers. This is the most enjoyable way for me to paint with thread, just do whatever I feel like. How about pink? Nah, Yellow-orange, yeah that fits right here.
You can see that the ribbon is one of my favorite blues, I have a lot of shirts in this color. We all know it takes some time to finish one of these pillowcases. But, embroidery is a lot of fun for my hands in the evening. A repetitious movement calms me as I take one stitch after the other. I almost can feel the presence of my Mom, Grandma, and Great Grandma in the room sometimes. We enjoyed sitting in the living room doing our crafts together and visiting as we listened to music.
Peter completed the wedding arch frame this morning. It is sitting out on the deck being tested by light breezes in this picture. It has passed the tests we could think of to test how well it will stand in place. It definitely will NOT BE OKAY to have kids climbing on.
We put it together here so if it had any problems we could correct them here and now instead at the wedding venue.
Here is my macrame office with a view. See how the branch wood is hung on the window curtain rod using a motorcycle tie-down strap on each end? These work out great for letting me easily raise it up as things progress.
After attaching the cords, the longer ones on both sides have to be wound around my fist and then rubber-banded to make them manageable. The shorter lengths in the middle, are able to remain full length without causing any hardship as I do the knots. The knot-tying begins and there are many times that I asked myself that silly question. “What was I thinking?”
Over a period of 20 days, a custom macrame wedding arch is completed. Wishes for true love for our children crossed this Mother’s mind during the creation of this wedding arch gift.
Wrapping tape around each rope end will stop it from fraying as I tie the knots. You can end up with a real mess and many tangles if you skip over this step.
As the ends are secured the different lengths of rope are stored.
With the ends all taped, the ropes await being started on the branch.
Having an expert in forestry is always handy too. Peter, finds a perfect dead limb and cuts it to the right length for me. 
Thank goodness for the handiest man in the world. Not only is he capable of finding just what we need, but he also gets it ready without even using electricity. A green deal magician accustomed to using his common sense and old-fashioned hand tools. Move over Biden. I really scored with this keeper dude. Love him!
I bet that no one will ever guess that we did not use a macrame cord from the craft store. Besides, if they do notice I would wonder if they really had a life.
See how the rope stretches across the dining room and kitchen on the floor as we measure it out. It takes lots of cord, space, patience, and lots of persistence to begin this large a macrame.
Here are the gradual steps that are taken to finish this pillowcase with 3 hummingbird iron-on patterns. Three different arrangements of birds, flowers, and foliage across this single bed linen.
Black lines emphasize the underside of his body shape, his beak and eye, and the individual feathers. Then turquoise blue is used to outline his upper body shape and wing tops.
This hummingbird flying toward us is showing his underside to us with flowers behind. His wings and tail feathers begin in blue stitching.
He is satin stitched in greens on his body and the wing tops along with a light amount of yellow highlight. His chest is a brilliant yellow and the underside of his throat is left white. Dark royal blue is used to outline the feathers on his outstretched wings.

This pillow has 3 hummers (hummingbirds) on it from
Close up of a humming flying toward us showing his underside is in the middle with some maroon and purple/pink petal flowers in the background. I have only started to stitch the underside of this bird’s wings and tail feathers in blues.
Customer service is terrible, replying in obviously poor English and offering only a 10% return on the purchase price. All the while threatening a very high shipping cost if I choose to return the item.
Tatting by Dilly is what this post is about. My Great Grandma was half Scottish and half Indian and her name was Sedilla but everyone called her, “Dilly”. While I was growing up, we would sit around doing needlework. She did Scottish tatting, Grandma and I did embroidery, and my Mom did crocheting. Dilly is pictured in the back center row above in the early 1900s. From left to right are her sister (Beulah), her Mom (Pernetta), and her sister (Bernice) in the front row.
tatting-tat·ting – a delicate handmade lace formed usually by looping and knotting with a single cotton thread and a small shuttle.
I should have paid better attention because as I look at this piece that she did, I have no idea about how it was actually done. I remember her sitting in her chair with a white cloth on her lap stitching away. She would finish a piece and then my Mom would sometimes crochet an edge around it she wanted it.
The material is that cotton that was loosely woven, maybe flour sacks, so I wonder if she clipped openings to stitch lace into the middle or did she pull threads into groups to make the lace? Her hand stitching around the edges is so totally even and I know that it was all done by hand.
The patterns in the center are amazing with the details so beautifully finished.
Very steady hands, and so much patience, she loved to chat and stitch with her beautiful white hair.
Just finished embroidering a white Pillowcase Two H Birds. Usually, I draw my own pattern but these two hummingbirds are from an iron-on pattern by
Here is the pillowcase all washed, ironed, and folded on the dining room table. I really took the easy way out on this, with the pattern and also failing to take pictures as the project gradually progressed. You’ll have to use your imagination.
This hummer on the left side has his beak inserted into the middle flower on the vine where I went with orange or pink petals with a dark maroon center. I used some unusual colors to show his feathers underneath his body in purple. His wings match some of the vine greens with the addition of turquoise in his flying feathers.
This hummingbird on the right started out as a basic green feathered dude. I added dark blue for shadows then a red under his neck, adding the black outline and feathers for his beak, feathers, and eye outline. Finally, I put some random golden brown scattered across his whole body. I like the way that the flecks of golden brown kind of make it look like his body is shimmering. I think I will use this process in satin stitching in the future again. His flowers utilize the same color as the bird on the left but there is only one blossom on this side.
This Cutwork Flower Tablecloth was a discovery at a garage sale. It was sitting on a table full of miscellaneous craft materials. When I unfolded it, there were stains all over it. Would I be able to get them out? I could smell cigarette smoke and the stains were brown. The lady offered it to me for $2 so I thought, what the heck, why not.
You can see that it was machine stitched (embroidered) in a simple flower pattern with leaves between the blossoms. I have already added a darker pink outline to the interior of the petals of this flower. The edge of the cloth and some of the areas between the leaves are cut out and edges are reinforced with stitching. This is called, “
However, the machine stitching is just boring, so, I intend to “spiff it up” with some bright lines and satin stitching until I can say I love it. See the blue flower on the left where the original machine stitching pattern makes you feel like yawning? On the right is a yellow blossom that has had orange outlines added to the yellow blossom petals and red french knots added to the center. Okay, now we have some pizzazz going, and we are on a roll.
I added embellishment all around the edge and then thought that the center of the tablecloth needed something more than the two little sets of a pair of pink blossoms. So I added some vines, and daisy’s in many colors. Yep, yep, yep.
This idea spread to the corners and sides until I had all kinds of flowers and plants around the entire border of the tablecloth. That is what happens when you go weed in the garden and all of the flowers are blooming.
Okay, a bit excessive but it was so much fun. It is a colorful addition to our tablecloth family.
This round tablecloth is my Mom’s favorite color. Whenever I see this beautiful blue, I remember her.
My Mom, Mary did splendid crochet work. She did a lot of crochet using small needles with thin cotton thread as I was growing up. She also made afghans, sweaters, and other things out of regular yarn.
Her hands were busy in the evenings. Mom made tablecloths, table runners, pillowcase lace, and doilies. Here are some of the tablecloths that I still have that she made. This one is made with off-white thread, it has a star pattern in the middle with netting going out to the lacey edge.
This tablecloth is done using white cotton thread with a flower-type pattern in the middle, with a small row of netting and then a thick lacey pattern at the outer edge. The outer edge lace is almost like a ruffle.
First Tablecloth
You can see a row of flowers in a circular-shaped arrangement down the middle of the tablecloth that is bordered by curvy rows of daisies along each side. Each corner has the same rose that goes down the center. Spaced on the edges are a few rose buds with daisies. This took me a full year to finish, and there were many times when I thought I would never get it done. Doing a project like this teaches so much patience and perseverance. Believe me, it is quite an accomplishment to be able to finish this.
The more open rose bloom is a beautiful line drawing and the change in color from the darker red interior to the pink exterior is just classic. The leaves are expressive among the scattered daisies all around it. One of the difficult things to figure out was how to do the thorns on the rose stem. If the point is not done right, they curve instead of coming to a good point. Do you notice how many times the color of the embroidery floss changes?
Here is the smaller budding rose and daisy arrangement that is spaced along the side edges. It was great to have a smaller area every once in a while. Whew. The stitches used in this one are outline, line, lazy daisy and french knots in many, many, many colors.
This is a simple brown & white tablecloth with off-white embroidery to embellish the edge and corners. The reason I chose this kit was, that I had just completed a tablecloth that had many different colored flosses throughout. I thought having only a single color would simplify and speed things up. I would not be stopping to change colors all the time. Ha, ha.
You can see that this table spread does only have embroidery on the edges and at each corner so the center of the table is plain. Consequently, I select this cloth whenever I want the food to be the star on a table or if I have a decorative doily or runner in the middle.
What I failed to take into account was the complex type of stitches utilized in this particular pattern. There is a lot of satin stitch and curvey outline along with mucho chain stitch. The most difficult stitch for me on this tablecloth was the “fishnet”. The fishnet starts with laying down thread then tacking it down at all of the intersecting points. It is a bit tricky and took a while for me to get comfortable with it.
All the edges of the tablecloth have a border of flower blossoms on curved stems with two leaves. The corners have a larger blossom arrangement with seven different shapes. Each blossom has 3 petals and a base filled with solid satin stitch. There are two lower petals in fishnet and outline stitches. There are 3 french knots inside of each flower. The curved stems connecting the flowers are done with a chain stitch. There are two leaves on the stem, one combines the fishnet with satin stitch, and the other is all satin stitch.










It fit with the letters between the leaves and vine.
Here it is redone with the “i” and “e” changed around. Whew.
square,
star,
sun,
T is for train,
triangle,
U is for umbrella,
W is for watermelon.
L is for ladybug,
lizard,
M is for moon,
O is for octagon,
octopus, orchid (already shown on the previous page),
P is for puppy,
R is for rectangle,
S is for shamrock,

and frog,
H is for hand,
heart,
I is for ice cream,
K is for kitten,