This Cutwork Flower Tablecloth was a discovery at a garage sale. It was sitting on a table full of miscellaneous craft materials. When I unfolded it, there were stains all over it. Would I be able to get them out? I could smell cigarette smoke and the stains were brown. The lady offered it to me for $2 so I thought, what the heck, why not.
I always keep my eyes open at garage sales and thrift stores for treasures!
When I got home I put it in the washing machine and let it sit overnight soaking in “Oxy 10”, then washed it in the morning and it came out sparkling clean.
You can see that it was machine stitched (embroidered) in a simple flower pattern with leaves between the blossoms. I have already added a darker pink outline to the interior of the petals of this flower. The edge of the cloth and some of the areas between the leaves are cut out and edges are reinforced with stitching. This is called, “Cutwork“, and here is a good definition of it if you are interested, this style of working makes a wonderfully interesting edge. BTW, I did not know the proper term to call it so I had to look it up myself for this article.
However, the machine stitching is just boring, so, I intend to “spiff it up” with some bright lines and satin stitching until I can say I love it. See the blue flower on the left where the original machine stitching pattern makes you feel like yawning? On the right is a yellow blossom that has had orange outlines added to the yellow blossom petals and red french knots added to the center. Okay, now we have some pizzazz going, and we are on a roll.
I added embellishment all around the edge and then thought that the center of the tablecloth needed something more than the two little sets of a pair of pink blossoms. So I added some vines, and daisy’s in many colors. Yep, yep, yep.
This idea spread to the corners and sides until I had all kinds of flowers and plants around the entire border of the tablecloth. That is what happens when you go weed in the garden and all of the flowers are blooming.
Okay, a bit excessive but it was so much fun. It is a colorful addition to our tablecloth family.
First Tablecloth
You can see a row of flowers in a circular-shaped arrangement down the middle of the tablecloth that is bordered by curvy rows of daisies along each side. Each corner has the same rose that goes down the center. Spaced on the edges are a few rose buds with daisies. This took me a full year to finish, and there were many times when I thought I would never get it done. Doing a project like this teaches so much patience and perseverance. Believe me, it is quite an accomplishment to be able to finish this.
The more open rose bloom is a beautiful line drawing and the change in color from the darker red interior to the pink exterior is just classic. The leaves are expressive among the scattered daisies all around it. One of the difficult things to figure out was how to do the thorns on the rose stem. If the point is not done right, they curve instead of coming to a good point. Do you notice how many times the color of the embroidery floss changes?
Here is the smaller budding rose and daisy arrangement that is spaced along the side edges. It was great to have a smaller area every once in a while. Whew. The stitches used in this one are outline, line, lazy daisy and french knots in many, many, many colors.
This is a simple brown & white tablecloth with off-white embroidery to embellish the edge and corners. The reason I chose this kit was, that I had just completed a tablecloth that had many different colored flosses throughout. I thought having only a single color would simplify and speed things up. I would not be stopping to change colors all the time. Ha, ha.
You can see that this table spread does only have embroidery on the edges and at each corner so the center of the table is plain. Consequently, I select this cloth whenever I want the food to be the star on a table or if I have a decorative doily or runner in the middle.
What I failed to take into account was the complex type of stitches utilized in this particular pattern. There is a lot of satin stitch and curvey outline along with mucho chain stitch. The most difficult stitch for me on this tablecloth was the “fishnet”. The fishnet starts with laying down thread then tacking it down at all of the intersecting points. It is a bit tricky and took a while for me to get comfortable with it.
All the edges of the tablecloth have a border of flower blossoms on curved stems with two leaves. The corners have a larger blossom arrangement with seven different shapes. Each blossom has 3 petals and a base filled with solid satin stitch. There are two lower petals in fishnet and outline stitches. There are 3 french knots inside of each flower. The curved stems connecting the flowers are done with a chain stitch. There are two leaves on the stem, one combines the fishnet with satin stitch, and the other is all satin stitch.
You may have noticed that there are many different colored flowers.
There are multiple random vines drawn in with leaves and “tear-drop” stitch flowers scattered everywhere. The vines and little flowers are what connect all the characters and foliage together along the edges and across the middle.
Begin
Treasure hunting for supplies is one of the things I am always doing. This project is the result of one of those garage sales, thrift stores, and estate sale expedition days.
Hummingbirds 09-11 are complete and here is the last corner of the tablecloth with them on it.
Number 09 is a character made with a mixture of different greens, blue on his wings, and some white spacing between the stitching to highlight his shape. He is perched on a branch for a second, staring at you. There are some considerations required to be able to correctly build believable foliage around the characters. The outline of the branch that he is perched on has to go between his claws, not through them.
Hummingbird 10 and number 11 are close together. 10 is the closest, and he is done in teal, aqua blue, and other blues. We are looking at him from above seeing his wings spread out on both sides of him. Number 11 is above and in a dive maneuver position and we see him from the side. He is made of mostly greens with a bright shiny orange area under his neck. His shadows and feathers have black outlines.
Hummingbirds 6_8 are done now. Here they are on the last corner of the tablecloth.
Hummingbird 6 is a mixture of lavender and purples with dark blue shadows on his ever-moving wings and tail feathers. Here he is with foliage beginning around him. To be truthful, I have never actually seen a purple hummingbird, have you? Now you have.
#7 hummingbird #7 is a character made with a mixture of oranges, reds, and dark shadows outlined in black. He is pictured in a side view and has a stark white underside to his neck as he perches. Perched hummingbirds are a rather rare sight to see in real life, so Mr. RedOrange here is a rarity.
Humming Bird 08 is mostly green but many other colors are used to round him out and add highlight or shadow. He is a character made with a mixture of purple, green, and even orange with dark shadows done in black. He is frozen in mid-flight as we look at him from the side. Typical satin stitches fill his body area but there are breaks and changes in direction to help portray feathers.
Humming birds 4 & 5 were just finished on this “tablecloth embroidery project”.
Four is a green-capped dude with a green neck and black on his wings and tail feathers. He has an orange body with yellow highlights. He is busy but frozen in mid-flight just as he reaches into a blossom full of nectar.
Hummingbird number 05 is another orange guy with green and teal highlights on his wings. His tail feathers are orange outlines. When the foliage gets drawn he is perched on a limb ready to reach into a nectar-filled blossom.
Hummingbirds 01-03 are complete on this smaller tablecloth (60″ square). 
#2 is a side view of a hummingbird in flight and he is stitched using a mixture of blues, and teal with black accents.
#3 is an underbelly view of a hummingbird in flight and he is made using blue, grays, green, and some black along with orange for his beak and feet. There are new stitching techniques tried on both of their wing feathers in an effort to display the ever-present movement better.
If you compare the first image of him with the second one you will see additional stitches and more colors added as the tablecloth progresses.
That is what I do, I embroider hummingbirds on tablecloths. These are sketches I have drawn to use as patterns to stitch these little characters on this one. The sketches are drawn with an iron-on purple pencil that I bought at the fabric store. There are nine positions drawn and I plan to mix and match them around randomly.