Painting neighborhood address signs done. You can see them sitting here, ready to seal with clear coat, dry and frame …
It doesn’t look like much but it is on good sign board. Sealed in white oil based paint, then black backgrounds sprayed for the arrow bases. The white numbers in the black arrows are made with white sign paint that is sprinkled with glitter while the paint is still wet, so these will shine when car lights flash on them. Probably won’t win any awards but should be easy to see when you are trying to find your way around out here.
Pete is planting the posts today, then we will put black frames on. then the delivery guys will have no reason to talk stink about us anymore 😉
What on earth does an artist do on the weekend, paint neighborhood address signs of course! Here are two signs masked off ready to shoot with black for the arrows.
If you have ever been over to visit our place you would know why these signs are needed. I bet you we are in the UPS and FedEx drivers “stink list” for being hard to find. Oh well! These are directional signs (for the two bends in our private road debatable as a driveway) made of sign board (expensive smooth plywood) and coated with white house paint 2 coats yesterday. Now the (black) arrows are laid out and masked off with masking tape so I can shoot the arrow backgrounds.
Painting neighborhood address signs process. Honest occifer! I did NOT use that spray can of paint! Oh, my fingernails… it is a new way to do my nails I tried using the spray paint to see if I could airbrush them myself. Anybody got bail money?
The steps in this typical watercolor portrait commission for the Franks, starts with sketching from a portrait supplied for reference, then applying mastik or resist to reserve needed white areas on the watercolor paper.
On this image you can see the main areas of the portrait laid out with pencil lightly which I plan on erasing when done. Look for areas of yellow and that is where I am reserving white areas. When I use this mastik it makes it a lot easier to use loose strokes of full color as I paint and therefore making the process of painting a lot more enjoyable.
Now, you can see as I begin background watercolor washes around the outline of the man. I love the way that watercolor will bleed into different areas of wet paper where you have other colors. It seems almost magical to me.
The portrait is finally getting to where I can work on the characters skin tones. That begins with a watercolor wash in the skin tones area starting with yellows and adding reds as a base, then blues for shadow.
At the same time I want to start with the shadows on his shirt. The highlights and shadows start to show the shapes in the t-shirt. Isn’t it great to start to see the 3D effect happening? I like to see things begin to bend and become round in front of my eyes by simply using colors.