
Elise Beattie.
I am rendering this Great White Heron from a photograph by Elise Beattie who teaches, “Fearless Painting” classes. Now working on different approaches to The first post about this in a pen & ink study.
Step-By-Step Watercolor

While studying the picture, I kept feeling as though the best part of the picture is missing. Do you ask, “Would that be?” Well, the reflection of the bird on the water would be quite beautiful. Being an artist allows me to go ahead with adding the missing piece in as I render this subject. I believe it is called an artist license.
Render Sun Reflection

Watercolor requires that you start with where you want to reserve white, then begin laying down the lightest colors first. In this that will be where the sun is laying on the water.
Background Reeds

I start to lay in the reeds behind and am careful to avoid where my Great White Heron is. Must preserve a pristine white area to work on later for the center-of-attention character.

As I add in the reeds on the right side additional lily pond-type leaves are added to help the composition move in a circular motion.
Render Water

Using royal and cerulean blues I begin to put the ripples of the water in.

Reflections
A reflection is simply the original image turned upside down on the water. After turning it we need to take into account that the surface reflecting the image is not flat. As in this water scene with its many ripples that cut up and distort the image. The more I apply the reed reflections and watercolors I begin to lose the heron reflection so I apply a soft gray there that helps me to see it better.

This next step is scary as I apply a wash over all the water using ultramarine blue.

At this point, I am darkening reflections and making details and adjustments. I should be able to finish this image this week. When I complete it I will be sure to post it so you can see it. Happy painting.